Here's the main excerpt from Getting Started for Mela 6, I tried to make it as short as possible for anyone to get started quickly. Let me know if you have feedback. # Modules & Lanes Modules are the core building blocks of a Mela preset. They process signals and are arranged on lanes, with signals flowing left-to-right within a lane and top-to-bottom between lanes. Modules and lanes can be reordered as needed. Each module includes a built-in help view detailing its parameters and usage. # Signals A module can process three primary signal types: **Audio**, **MIDI**, and **Pitch**, along with a composite signal type, **Poly**. - **Audio**: Stereo audio signal. - **MIDI**: Carries MIDI messages. - **Pitch**: Represents frequency and allows receiving oscillator modules to lock their pitch to it. - **Poly**: Comprises independent voices, each containing note-on/off data, as well as Pitch and Audio signals. Typically, a module modifies one signal type and passes the others through unchanged. # Polyphony Audio, MIDI, and Pitch signals flow in parallel within a lane. To create a polyphonic synthesiser, use the **MIDI-to-Poly** module to convert MIDI note events into a Poly signal, which replaces the Audio and Pitch signals while leaving MIDI unaffected. To collapse a Poly signal back into an Audio signal, use the **Poly-to-Audio** module, which sums the voices. Modules like oscillators and filters process Poly signals directly, while others, like Stereo Delay, automatically collapse a Poly signal into an Audio signal. # Routers & Buses Lanes can send and receive Audio and MIDI signals to and from the host, as well as route them to other lanes, using router modules like **Audio In**, **Audio Out**, **MIDI In**, and **MIDI Out**. Note that host support for I/O may vary. Signals between lanes are routed using internal Audio and MIDI buses and always flow in a top-to-bottom direction. # Modulation Modulator modules can modulate any module parameter on any lane, regardless of placement. If a modulator is processing a Poly signal, it generates polyphonic modulation signals. Otherwise, the source will be monophonic. There are three configurations based on the target module's placement: 1. **Poly-to-Poly**: A 1-to-1 mapping between source and target voices. 2. **Mono-to-Poly**: The same modulation signal is applied to all target voices. 3. **Poly-to-Mono**: The modulation signal from the last triggered voice is used.
I just updated, and haven’t fully tested but so far my presets appear to have migrated cleanly. I love the universal lane approach; it puts Mela much closer to the modular mindset of “everything is a voltage”.
Jon Diercks, that's good to hear. The long-term plan with Mela is always to simplify things as much as possible while making them more flexible. And if I can achieve progressive disclosure of complexity with Mela, that would be — so that beginners aren't intimidated and can get started quickly, and advanced users can make super complex stuff.
Available once the build 349 is approved.
Released